Electronic Press Kit — 2025 Eightfold Recordings

Solsten

Recording Artist  /  Electronic Music  /  Montréal, QC

"Dance Music for Our Post-Truth Reality"

Solsten press photo

Press photo — free for editorial use

About Solsten

Artist Biography

Solsten grew up across three very different parts of Canada—born in Saskatchewan, raised in Victoria, BC, and living in Montréal for over a decade. Those landscapes are all somewhere in his music. He was a regular listener of CBC's Brave New Waves as a teenager, and a summer in Japan in his early twenties cemented the idea that music could be a total environment, not just a backdrop. He spent years working seriously in cooking, abstract painting, photography, and filmmaking alongside production.

His mother's death in 2012 pushed music to the centre. He went deep into the dubstep and techno scenes in Vancouver and Montréal, then traveled to Los Angeles in 2016 to record his debut. The 1960 EP came out in late 2017.

In 2022 his father disappeared and was eventually confirmed dead. Ghosts of Uranium City (2024), recorded at Eightfold Studios, carries that weight directly. Built on the industrial dub techno of Basic Channel, Sandwell District, Rrose, and Silent Servant, it got attention for how plainly it dealt with grief without losing its physicality.

Cold Concrete, Warm Waters (March 2025) is where the work opens up. Still rooted in techno and dub, but more candid and more sensual than anything before it. It makes clear that the project is moving past what the genre usually allows. He's currently finishing his fourth album and lives in Montréal with his two cats, Elizabeth and Henry (Jennings).

Its drums ricochet with friction that never boils over into agitation… the physicality of grief… that emptiness is offset by the steadiness of the drums: isolation + presence. 'Ghosts of Uranium City' is an intense collection of songs, and a very lovely one.
— Molly Mary O'Brien, "I Enjoy Music"

The Sound

Solsten works from field recordings, found percussion, and the sound of physical spaces, building them into tracks that feel heavy and lived-in. The low end hits hard and stays there. Albums are sequenced as whole records, not playlists.

The music has always been more than functional club fare. Tracks develop, build tension, go somewhere. That hasn't changed. What's changed is what they're allowed to carry. The earlier work was industrial and austere. The newer records let in warmth, romance, vulnerability. It's still dub techno at its core, but the walls have come down a bit.


FoundationalBasic Channel
IndustrialSandwell District
AtmosphericRrose
Dub / SensualSilent Servant
RomanticRoxy Music
Chain ReactionTresor / Berlin

For fans of: Demdike Stare · Burial · The KVB · Actress

Forthcoming

Rituals
of Revival

The fourth album takes its name from the ordinary things that hold people together: sex, food, art, community, friendship. The stuff you come back to because it keeps you sane, especially when everything else is trying to pull you apart.

The last two records were shaped by grief and its aftermath. This one is about what comes after that. Massive Attack is a reference point for how deeply personal music can still hit you in the chest; Phil Collins for a kind of directness and emotional warmth that the techno world almost never allows itself. The dub and techno foundation stays, but it's in service of something more open, more physical, more human.

Release date forthcoming via Eightfold Recordings.

Discography

Cold Concrete, Warm Waters
March 2025 — Eightfold Recordings — Latest Release

Cold Concrete,
Warm Waters

The industrial dub architecture from Ghosts is still here, but the emotional range is wider and the personal is much more visible. The record moves between tension and release, and isn't afraid to sit in uncomfortable places long enough to find something warmer.

Tracks like Flesh & Dub show how far the frame of reference has expanded. There's Roxy Music's sensual romanticism in there, processed through heavy dub production into something distinctly his own. This is the record where the project outgrows genre and becomes something bigger.

Listen on Bandcamp
Ghosts of Uranium City
2024 — Eightfold Recordings — Digital & CD

Ghosts of
Uranium City

Named after Canada's first uranium mining town, abandoned since 1990. The album works in similarly desolate territory: loss, what it leaves behind, and what you try to build out of it. That it manages to deal with grief this directly without losing any of its physical intensity is what got people's attention.

Listen on Bandcamp
1960
EP
2017
2017 — Eightfold Recordings

1960 EP

Recorded in Los Angeles in 2016. The debut laid the groundwork for everything that followed: textured industrial rhythms, deep reverberant bass, and a sense of space that feels more like landscape than dancefloor.

Listen on Bandcamp

Videos

White Butterfly (Rideau)
Snipers On Sunset
Cold Concrete, Warm Waters

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